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スーパー・ササ壇蜜・マシン - スーパー・ササ壇蜜・マシン

タレントの壇蜜と、プロレスラーでラジオパーソナリティのスーパー・ササダンゴ・マシンによるポッドキャスト番組。脳裏に焼き付く「変な知識・妙な体験」を題材にした二人の絶妙な温度感の掛け合いが魅力。
おやつ - 平野紗季子

フードエッセイストの平野紗季子がフードとライフスタイルについて話すポッドキャスト。おやつを食べながら繰り出されるトークは、ゆるい雑談から専門的な議論まで幅広い。
武田砂鉄ラジオマガジン「ラジマガエッセイ」 - 文化放送PodcastQR

武田砂鉄がMCを務めるラジオ番組『武田砂鉄ラジオマガジン』のレギュラー出演者によるエッセイコーナーをまとめた番組。曜日ごとに個性的なレギュラー陣が、独自の切り口で世の中の現象を語っていく。リラックスして笑いたい時にピッタリ。

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Leave the Gun, Take the Cannoli: The Epic Story of the Making of the Godfather - iHeartPodcasts

What’s left to say about “The Godfather"? Upon the film’s release in 1972, it almost instantly became a byword for the best Hollywood has to offer. It minted a new generation of stars, earned hundreds of millions of dollars, established Francis Ford Coppola as one of the best directors of his generation, and changed the way Americans viewed the mafia—and cinema—forever.

And yet, “The Godfather” almost never got made, with meddling studio executives and vindictive members of the real-life mafia trying to smother the movie at every turn. During production, location permits were revoked, war was waged over casting decisions, author Mario Puzo got into a public brawl with Frank Sinatra, a producer’s car was riddled with bullets, and “connected” men auditioned for—and in some cases landed—parts in the film.

On “Leave the Gun, Take the Cannoli,” Mark Seal, author of the 2021 book by the same title, and Nathan King, a deputy editor of AIR MAIL, present new and archival interviews with Coppola, James Caan, Robert Evans, Talia Shire, Al Ruddy, and many others, stripping back the varnish of movie history to reveal the complicated genesis of a modern masterpiece.