WEEKLY PICKUP!!
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お互いさまっす - 松岡茉優&伊藤沙莉
俳優の松岡茉優と伊藤沙莉が送るトーク番組。リスナーから寄せられた多種多様な喜怒哀楽エピソードをもとに自身の経験や共感を語る。リスナーの気持ちに寄り添うトークが魅力的。第6回ジャパンポッドキャストアワードで大賞を受賞。
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となりの雑談 - TBS RADIO
「雑談の人」こと桜林直子とジェーン・スーによる雑談番組。思わず考えさせられる深い話からクスッと笑ってしまうような話まで、様々なトークが繰り広げられる。第6回ジャパンポッドキャストアワードでパーソナリティ賞を受賞。
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セイジドウラク - TBS RADIO
TBSラジオ記者・澤田大樹と選挙ライター・宮原ジェフリーが送る「政治を道楽として楽しむ」番組。政治好きの2人が、道楽としての政治をマニア的な視点で分かりやすく語りつくす。第6回ジャパンポッドキャストアワードで企画賞を受賞。
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Sponsored
オトマーケ|音声とマーケティングを考えるポッドキャスト - オトナル/Otonal Inc.
『オトマーケ』は、音声メディアや音声広告、音声テクノロジーをテーマに、音声とマーケティングを考えるポッドキャスト番組です。音声メディアや、音声広告、最新の音声テクノロジーのマーケティング活用の最新トレンドや動向について発信していきます。
Mozart - Audio Biography - Inception Point Ai
Wolfgang Amadeus Mozart, born on January 27, 1756, in Salzburg, Austria, is one of the most celebrated and influential composers in the history of Western music. Renowned for his extraordinary talent, prolific output, and unparalleled ability to blend complexity with accessibility, Mozart’s works have stood the test of time, captivating audiences across generations. His compositions, ranging from symphonies to operas, concertos, and chamber music, remain staples of the classical repertoire, embodying elegance, innovation, and emotional depth. Mozart was born into a musical family. His father, Leopold Mozart, was a respected composer, violinist, and music teacher who served as deputy Kapellmeister at the court of the Prince-Archbishop of Salzburg. Recognizing young Wolfgang’s prodigious talent, Leopold dedicated himself to nurturing his son’s abilities. Wolfgang’s sister, Maria Anna, nicknamed "Nannerl," was also musically gifted, and the siblings often performed together during their childhood. Wolfgang’s musical genius became apparent at an astonishingly young age. By the age of three, he was playing the harpsichord, and by five, he was composing his first pieces of music. Leopold was quick to recognize the significance of his son’s abilities and began organizing tours across Europe to showcase Wolfgang’s talents. These tours exposed the young Mozart to a wide range of musical styles and influential composers, including Johann Christian Bach in London, who became a key mentor. From an early age, Mozart demonstrated an uncanny ability to absorb and adapt different musical influences. He traveled extensively, performing for royalty and nobility in cities such as Vienna, Munich, Paris, and London. These journeys not only honed his skills as a performer but also allowed him to study and incorporate elements of the Baroque, Galant, and emerging Classical styles into his compositions. By the time he was a teenager, Mozart had already composed symphonies, operas, and chamber music that were considered masterpieces. Despite his international acclaim as a child prodigy, Mozart’s transition into adulthood was fraught with challenges. The rigid hierarchical structures of 18th-century Europe often placed composers in subservient positions to patrons, limiting their creative freedom. Mozart’s relationship with his hometown employer, the Prince-Archbishop of Salzburg, was particularly strained, as the Archbishop viewed him primarily as a servant rather than an artist. This tension culminated in Mozart’s decision to leave Salzburg in 1781 and move to Vienna, where he sought greater independence. In Vienna, Mozart thrived as a composer and performer, becoming a key figure in the city’s vibrant musical scene. His piano concertos, including the famed No. 20 in D minor (K. 466) and No. 21 in C major (K. 467), showcased his virtuosity and ingenuity, blending lyricism with dramatic intensity. These works established him as one of the leading pianists and composers of his time. During this period, Mozart also began to revolutionize the opera genre. His collaboration with the librettist Lorenzo Da Ponte resulted in some of his most enduring operatic works, including The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790). These operas combined sophisticated music with compelling drama and vivid character development, redefining what opera could achieve both musically and theatrically. Mozart’s symphonies also reached new heights during his Viennese years. His final symphonies, including the iconic Symphony No. 40 in G minor (K. 550) and Symphony No. 41 in C major (K. 551), known as the "Jupiter," are considered pinnacles of the Classical style. These works exemplify Mozart’s ability to balance formal structure with expressive depth, creating music that feels timeless in its universality. Despite his artistic triumphs, Mozart’s personal life was marked by financial struggles and health issues. Hi
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