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みたらし煩悩ラジオ|話題×仏教で「人生」を味わう - みたらし煩悩スタジオ
世の中のトレンドや身近な悩みを「仏教」の視点から紐解くポッドキャスト。日常のモヤモヤや煩悩を切り口に、人生をより深く、味わい深く生きるためのヒントを探っていく。肩の力を抜いて、お坊さんの知恵に触れることができる番組。
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にあう色が知りたい - AYANA・服部円
ビューティライターのAYANAと、編集者の服部円が「色」をテーマに語り合う。単なる自分に似合う色の診断に留まらず、色彩が持つ心理的効果やファッション、文化的背景まで深掘り。色を通して自分自身を見つめ直したい人に最適。
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pecoとJESSICA - TBS RADIO
タレントのpecoとJESSICAが、飾らない等身大のトークを繰り広げる。仕事や子育て、自分らしいライフスタイルなど、二人の価値観が交差する瞬間を配信。まるでおしゃべりに参加しているような親近感と、前向きなパワーを貰える。
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Retail Media Summit Podcast - Retail Media Summit
2025年10月に開催された「リテールメディアサミット2025」のトークセッションを音声化。あらゆる業界で注目関心を集めているリテールメディアの最新動向や先行事例を、業界をリードする各企業の視点から発信しています。
The American Forces Network - Entertainment Radio
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
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