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  • アマチュア大学生のくちマメ - アマチュア大学生のくちマメ

    大学生になりきれないアマチュア大学生の男女二人が、悩みから世の中のことまでさまざまなテーマを自由気ままに語り合う。ゆったりとした2人の掛け合いが心地よく、まるで隣で友達が話しているのを聴いているような感覚に。

  • ちょいムズ本、プロが惚れたこの一冊 - 問い読

    編集者・岩佐文夫が各界のプロをゲストに迎え、"ちょっと難しいけれど読んでよかった"一冊を紹介するブックトーク番組。聴けば読む前には難しく感じた本が、不思議と手に取りたくなるはず。本好きはもちろん、次に読む一冊を探している人はぜひ。

  • 家族チャーハンのラジオホームラン - 家族チャーハン

    吉本若手芸人家族チャーハンがパーソナリティを務めるポッドキャスト番組。多彩なテーマをユーモアと鋭い観察眼で軽妙に語り合う。お笑いファンをはじめ、とにかく笑いたい人におすすめ。ちょっと疲れた日の気分転換に。

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    pecoのワン、ツー、スリープ - イケア・ジャパン株式会社

    いい明日は、いい寝心地から。pecoとイケアがお届けする、眠りを愛する「Sleep Lover」に向けたポッドキャスト!あなたも快適な眠りを手に入れて、いい明日を迎えませんか?

The American Forces Network - Entertainment Radio

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.

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