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ジェネトピ(Generative AI Topic) - ジェネトピ
AI好きのパーソナリティ2人が、最新のAIトピックをゆるく楽しくお届け。ChatGPT以外のおすすめAIツールの紹介や、生成AIを活用した新規事業の立ち上げ話など、仕事や日常で役立つ情報が盛りだくさん。
いっちーの音楽制作マニアックス〜DTM/DAW、シンセサイザー、電子楽器、音響機器に関する情 - Media Integration,Inc
DTM(音楽制作)や電子機器、音響機器の最新情報を届けるポッドキャスト。MCおすすめの機器や音楽制作に役立つティップスの紹介など、音楽制作初心者から上級者まで楽しめる内容となっている。
週刊 ワシントン - TBS RADIO
TBSワシントン支局の特派員が、ワシントンの政治・経済ニュースを中心にアメリカ情勢を詳しく解説。アメリカ政治や国際政治に詳しいゲストを迎え、より深い視点から最新ニュースを掘り下げる。
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PodcastLab. Fukuoka - RKB毎日放送
福岡を音声コンテンツで盛り上げたい! ポッドキャスト番組の企画・制作・配信を支援する「Podcast Lab. Fukuoka」(ポキャラボ)100本プロジェクトを開始! この番組は日本一のポッドキャスター樋口聖典とポキャラボ参加メンバーがポッドキャストの魅力を語ります。

The American Forces Network - Entertainment Radio
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
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