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  • 絶滅危惧ラジオ~拝啓、絶滅の淵から~ - 絶滅危惧ラジオ

    カリフォルニアコンドルやコウノトリ、マングースをはじめ、絶滅危惧種や外来種をめぐる背景が学べるポッドキャスト。保護活動の現場と人間の生活、文化、歴史、法律などのつながりを紐解く。自然環境の変化についてもう一歩深く知りたい時におすすめ。

  • クリケット茶飲み話 - Cricket ChanomiBanashi

    べテランの2人がクリケットの魅力をしっかり語るポッドキャスト。日本ではまだ馴染みの薄いこの競技を、緩やかな会話で紹介する。クリケットを本格的に知りたい人はもちろん、新しいスポーツの世界に触れてみたい人にも聴きやすい番組。

  • 春とヒコーキのグピ☆グパ☆グポ|GERA - お笑いラジオアプリGERA

    タイタン所属のお笑いコンビ・春とヒコーキによるポッドキャスト。落語研究会出身の2人による巧みな言葉選びや、キレのあるトークが魅力。普段の舞台では見えにくい芸人活動の裏側も楽しめる。

  • Sponsored

    Adobe Experience Cloud ポッドキャスト - アドビ株式会社

    デジタルマーケティングの第一線で活躍するゲストを迎え、顧客体験のあり方を考える対談シリーズ『Marketer's Talk』。ゲストが語るリアルな課題や日々の気づきを通じて、顧客体験管理への理解を深める"マーケター同士のオフ会トーク"ポッドキャスト。

The American Forces Network - Entertainment Radio

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.

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