WEEKLY PICKUP!!
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逃走闘争 - 逃走闘争
2000年生まれの同世代3人が、文芸や音楽といったカルチャーを糸口に、現代社会での試行錯誤を語り合うポッドキャスト。正解のない時代の中で、時に逃げ、時に闘いながら綴られる等身大の言葉を楽しめる。日々の生活に少し疲れた夜、自分を整える時間のおともに。
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わたしとねむり研究所~女性がよく寝てよく働けるラジオ~ - sleep×femtechプロジェクトbyパラマウントベッド
老舗ベッドメーカーの女性社員3人が、睡眠や女性の働き方をテーマに語り合う番組。睡眠に関する知見をベースに、日本企業で働く"女性のしんどさ"やキャリア、健康のことなどを専門家を交えながら深掘りする。自分らしく健やかに働くための術に出会えるかも。
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マイ・ティーンズ - FM802
FM802の深町絵里がゲスト共に、「10代の記憶」から現在のお仕事や生き方に通じるヒントを探るポッドキャスト。学生時代の熱中体験や影響を受けたカルチャーなど、ゲストのルーツを紐解く。初回ゲストはいきものがかり水野良樹さん、今後の出演者にも注目が集まる新番組。
The American Forces Network - Entertainment Radio
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
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