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  • ゆる言語学ラジオ - Yuru Gengogaku Radio

    私たちが使う"言葉"に焦点を当てる「ゆる言語学ラジオ」。身近で面白みあるトピックを題材に、言語学を楽しく学びながら言葉の奥深さを感じられる番組。第3回ジャパンポッドキャストアワードでベストナレッジ賞とリスナーズ・チョイスの2部門を受賞。

  • 佐々木亮の宇宙ばなし - 佐々木亮

    元NASA・理研研究員の佐々木亮が「1日10分宇宙時間」をテーマに、最新の宇宙に関する話題を楽しく解説していく番組。遠い宇宙の出来事を、ぐっと身近に感じられる。第3回ジャパンポッドキャストアワードでSpotify Nextクリエイター賞を受賞。

  • ワインの輪 - ワインの輪

    ワイン好きの幼馴染2人が、気軽に楽しむワインの魅力を語り合う番組。毎回1本おすすめのワインも紹介し、知らなかった味との出会いを誘う。自分に合う一本を見つけたい人にぴったり。第3回ジャパンポッドキャストアワードでSpotify Nextクリエイター賞を受賞。

  • Sponsored

    オトマーケ|音声とマーケティングを考えるポッドキャスト - オトナル/Otonal Inc.

    『オトマーケ』は、音声メディアや音声広告、音声テクノロジーをテーマに、音声とマーケティングを考えるポッドキャスト番組です。音声メディアや、音声広告、最新の音声テクノロジーのマーケティング活用の最新トレンドや動向について発信していきます。

CBS Radio Mystery Theater - Entertainment Radio

CBS Radio Mystery Theateralso known as Radio Mystery Theater and Mystery Theater, often abbreviated as CBSRMT) was a radio drama series created by Himan Brown It aired on CBS Radio Network affiliates from1974 to 1982 and was later carried by the satellite feed in the early 2000s. The format mirrored classic old-time radio shows such The Mysterious Traveler and The Whistler, with episodes introduced by host, E. who offeredithy wisdom and commentary throughout. Unlike the hosts of earlier programs, Marshall was portrayed as a fully mortal figure, whose heightened insight and erud immersed listeners in macabre tales, akin to "The Man in Black" from another old-time radio show, Suspense.Similar to Himan Brown's earlier Inner Sanctum Mysteries, each episode of CBS Radio Mystery Theater began and ended with the eerie sound of creaking crypt door, accompanied by Marshall's unsettling greeting, "Come in!… Welcome. I'm E. G. Marshall." This was often followed by one of his signature phrases, such as "The sound of suspense" or "The fear you can hear." At the, the door would close, preceded by Marshall iconic sign-off,Until time, pleasant… dreams?" Marshall hosted the program from January 4 until February 1982, when actress Tammy Grimes assumed hosting duties the series' final season, preserving the established format. 

CBSRMT aired each week, initially a new program every night. Later in its run, three or four episodes per week were new originals with the remaining nights featuring reruns. The series produced 1,399 original episodes, with a total of 2,969 broadcasts, including repeats. Each episode was allocated a full hour of airtime but typically ran for about 45 minutes after commercials and news segments.

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